This summer Richard Serra unveiled a major suite of eight sculptures at the Guggenheim Museum Bilbao, culminating, in effect, a body of work inaugurated with his first Torqued Ellipses nearly a decade ago

Robert Beaver’s extraordinary films have for decades gone largely unseen in the US. Next month the Whitney Museum of American Art in New York mounts the first compete retrospective of Beaver’s work

What begins as the main incident becomes the frame and vice versa in an infinite inversion of container into contents, margin into scene